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Richard Levy Gallery
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Ed Ruscha

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An intricate etching of a sparse landscape with a cluster of thin, sketch-like figures or structures in the center, surrounded by a scattering of lines suggesting motion or wind, signed and numbered in pencil.
A cover for The Paris Review magazine features the words "PARIS" and "REVIEW" in bold, distressed, red letters on a silver, crumpled, metallic background. The text is arranged vertically on the left and right edges, respectively.
A black and white abstract artwork featuring the word "MOTOR" in bold, slanted letters. The surrounding area involves dynamic, gradient-like smudges and streaks, giving the impression of motion or speed. The composition creates a sense of energy and movement.
A black musical note symbol with a shadow, stenciled onto a textured sandy background.
Art print with the phrase "THINKS 1, TO MYSELF" in red uppercase letters, centered on a light gray background, signed and dated at the bottom right.
Black and white artistic representation by Ed Ruscha with the words "rain" and "gain" cut out from vertical panels, casting shadows on a plain background.
A photograph by Ed Ruscha captures a sunlit courtyard featuring a two-story terracotta building surrounded by lush green trees. Overlaid text reads "Unstructured Merriment.
Rusted metal sign with embossed letters that read "for sale 17 acres" on a textured, corroded background. The sign has an Ed Ruscha-inspired industrial, aged appearance with a dark, earthy color palette.
Rusty texture with the embossed words "Ed Ruscha" on a metal surface, featuring chipped paint and signs of weathering.
Artwork featuring the word "zoot" in large, bold cut-out letters on a textured white background, reminiscent of Ed Ruscha's style. Created by Tom Burckhardt in 2015, signed at the bottom right.
Four black and white photographs by Ed Ruscha showing various urban settings, including a view of a town from a hilltop, an overpass, rooftops, and a street with commercial buildings.

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