A New Showing of Contemporary Prints

Jane Abrams, Clintin Adams, John Baldessari, Thomas Barrow, William Brice, Christopher Brown, Larry Brown, Luisa Chase, James Drake, Patrick Nagatani, Dan Rizzie, Ed Ruscha, Steven Soreman, Gary Stephan
Opens January 17, 1992

Thomas Barrow

Studio Notes
May 2 – June 12, 1992
Reception: May 2, 5 – 9

Artist’s Impressions

Tamarind Institute  Portfolio
May 2 – June 13, 1992
Reception: May 2

Mary Ristow

Monotypes
June 19 – July 24, 1992
Reception: June 19

Art gallery display featuring framed abstract works by Mary Ristow from 1991 and 1992 on a white wall. A small table with a vase of flowers and an open book stands in front of the wall. The exhibit, titled "Monotypes," is minimalistic and well-lit.
A gallery room with several framed artworks hung in a row on a white wall. The room has a blue-gray carpet and overhead track lighting, reminiscent of exhibitions from 1992. The artworks vary in size and style, featuring sketches and colorful pieces. Another room is partially visible on the right.
A spacious art gallery with framed artworks hung on white walls. The gallery features a minimalist design, showcasing modern and abstract paintings from 1992 evenly spaced. A dark blue bench sits partially visible to the left, and the room is lit by overhead spotlights.
A gallery wall displaying five framed abstract artworks from 1991 and 1992. The wall is evenly lit with spotlights, highlighting each piece. The floor is carpeted, and the room has a minimalist aesthetic. The artworks vary in color and design, each in its own white frame.

Patrick Nagatani

October/November, 1992

Kent Rush

October 14 – November 27

A black-and-white photograph from 1991 depicts a close-up of a tree trunk with peeling bark. The trunk stands in a grassy area with shadows cast on the ground. The photograph is bordered by a wide white mat with handwritten text and numbers visible in the bottom margin.
A dark, moody photograph depicting a bed with a grid-patterned blanket in a sparsely furnished, dimly lit room. The bed appears old and the walls are bare, offering a sense of desolation reminiscent of 1991.
A black and white photograph from 1991 showcases a large, oval-shaped object resembling a stone or sculpted feature with a textured, grid-like pattern. Set against a blurred natural background with trees and foliage, the photo is framed within a large white border.

Paul Laster

Collages and Prints
December 1, 1991 – February 17, 1992

A minimalist art gallery wall featuring three framed pictures in a row on the left and the name "PAUL LASTER" prominently displayed on the right. The floor is polished and the lighting highlights the artwork and name.
A minimalist art gallery wall featuring three small framed artworks evenly spaced. The wall and floor are plain, with the wall in light color and the floor in dark carpet. Soft lighting highlights the art pieces. Ceiling tiles are visible at the top.
Three men are sitting around a table in a restaurant. Plates of food, drinks, and red drinking glasses are on the table. The man on the left is wearing an orange shirt, the man in the middle a red shirt, and the man on the right a white shirt and sunglasses.
Two men are reading a paper booklet together. The man on the left, wearing a red polo shirt and black watch, is holding the booklet open. The man on the right, in a light blue button-down shirt with a pocket pen holder, is looking at the booklet. .

 

1991/1992

A minimalist art gallery with five framed artworks displayed on light-colored walls. The pieces, reminiscent of 1991 abstract and geometric designs, vary in size. The floor is gray and the lighting is subtle, casting soft shadows on the artwork.
Four framed monochrome artworks, dating back to 1991 and 1992, are displayed on a white gallery wall. The images include abstract and geometric designs. One features a celestial theme with a telescope, another has a dark square, one shows a chalice, and the last depicts a seascape.
A minimalist art gallery showcases framed paintings and drawings on white walls, reminiscent of early 1990s design. Sculptures are displayed on pedestals, and a vase of tulips sits on a table in the foreground. Track lighting illuminates the art, and a couch from the 1991 collection is visible towards the back.

Years: 1992, 1991
Hours: Tuesday–Saturday, 11 am–4 pm
Location: 514 Central Avenue SW, Albuquerque, NM 87102
Contact: 505.766.9888, info@levygallery.com, www.levygallery.com @levygallery